Spend ten minutes talking with Mr. Shannon Potratz and you will know at least two things about him for certain. One, he is an affable guy. Somewhat self-effacing, he has a good sense of humor and (despite the bad ass pic above) a cool, sweetness about him that makes him easy to talk to. Second, he is passionate about his art, his comic books, and Star Wars.
Spend more time with him and you’ll also find that he is an intelligent, hard-working man. A loyal friend, he is one of those guys who appreciates the people around him, and finds inspiration with them. Genuine and real, keep reading to learn more about this incredible fantasy artist!
SnS – Please tell us, what got you into art? Did you have a mentor?
Shannon – My father was a huge influence on me. As an accomplished (but frustrated) artist himself, he encouraged me to pursue a career in art. Growing up, he never had any encouragement from his dad, who thought art was a “waste of time.” So he spent 40 years in a job he hated. Both my mother and father were insistent that my brother and I find something we love and make that our career.
SnS – What would you call your style of illustration?
Shannon – Fantasy art. Of course, that encompasses a variety of genres from science-fiction to comic books. I’m also currently working on a couple of independent comic projects. Some of the art for them can be seen above, but I really can’t tell you much about them yet.
SnS – What mediums do you work with and what is your favorite?
Shannon – Pencil, pen & ink, Copic marker, acrylic, and digital are my primary mediums. I love the raw energy of simple pencil sketching. I like that sense that everything is always in motion.
SnS – Are you classically trained or self-taught?
Shannon – I’d say a little of both. I picked up a pencil at a very young age (probably around 4 years old). I took every art class I could throughout junior high and high school and received more formal training when I went through the graphic design program at Spokane Falls Community College.
SnS – So many artists and writers that I speak to, tell me that they are never really satisfied with their work. Do you find this to be true?
Shannon – (laughing) Of course. There is always something that can be tweaked.
SnS – Where do you find inspiration to create? (Do you read, jog, snap packing bubbles, maybe slam Monster energy drinks?)
Shannon – My inspiration comes from many different things and often at the most random times. I love movies and reading books and comics. But much of my inspiration comes from interacting with other artists. The creative banter back and forth between creative minds is an invaluable tool. I also periodically have dreams and will wake up in the middle of the night with images in my head. That’s when I have to grab a pencil and paper and quickly jot those ideas down, otherwise I’ll forget, haha.
SnS – Do you have a day job, if so what do you do?
Shannon – I work full-time as a graphic designer for Bassett&brush Design. I also do freelance work for a company called Outland Entertainment.
SnS – Do you have any other hobbies / talents / interests?
Shannon – I mentioned my love of movies, books, and comics. I also love getting outdoors and exploring new places. It’s amazing the wonders you can discover in your own back yard. I’m also a bit of a Star Wars nut and enjoy building costumes and authentic looking movie props. I’m a member of the 501st Legion (a world-wide Star Wars costuming group). I’m currently building my own life-size Han Solo in Carbonite, haha.
Due to the fantasy nature of your illustrations, I have to ask. Do you play any RPG games, LARP, or otherwise geek out?
Shannon – I used to play some table top games. In fact, years ago I collaborated with my close friend, Daniel Davis on a world we called Agyris. We used this as a backdrop for tabletop gaming with our friends. We had fun with that for a while, until the demands of family life took precedence. Daniel has since gone on to create his own company called Steam Crow, having developed a huge fan following, which he calls the Monster Scouts.
SnS – If you could invite any 4 artists (from any genre – musicians, painters, etc.) to picnic with you, who would it be and why?
Shannon – I would love to have a sit-down with Ralph McQuarrie, Frank Frazetta, George Lucas, and Frank Herbert. I’d be WAY in over my head but the discussion would be fascinating and I can’t think of anyone I’d rather learn from about the mysteries of fantasy, science-fiction, technology, myth-making, and the universe.
SnS – Now for the serious question. . . Star Trek or Star Wars? Why?
Shannon – Isn’t it possible to love both? But if I had to pick, it would obviously be Star Wars. Now that’s the universe I want to explore and live in. It straddles the line between fantasy and science-fiction (leaning a little more towards fantasy) and has that gritty realism that seems more immersive to me. From a world-building perspective, Star Wars is unparalleled.
Star Wars defined my childhood. As a kid, I would run down to the local 7-11 to buy Star Wars comic books. I still have the very first comic book I ever bought, Marvel’s Star Wars issue #6. It’s a little beat up, but it is priceless to me. It is framed and hanging in my home. Though Star Wars was my main thing, it introduced me to the world of Marvel. I still have most of my Marvel comics, including Thor #337. The beginning of Walt Simonson’s legendary run, and the first appearance of Beta Ray Bill. I love the cover art on that issue!
SnS – Do you have any causes or charities you support that you’d like to mention here?
Shannon – As a member of the 501st, I’ve done many events that support several charities, including Communities in Schools, and the Wishing Star Foundation, as well as several cancer research organizations.
And finally, please list any websites or galleries where fans (old and new) can find more of your work.
S&S: Hello Kelly. Welcome to the new year! I’d like to start off by looking back at the important events of 2016. Did you meet your goals for the year? Was there anything that you feel has changed, or enhanced your art?
Kelly: Hello! It is always a goal to show my work throughout the year and have a piece sell. I displayed work at the Loft of Missoula, the ZACC, and the Stensrud Event Hall in 2016 and sold at least two paintings and several framed ink prints.
Anything that enhanced my art? Well, I’d say life. 2016 was an interesting year for most everyone. Lots of emotion which went straight into my work.
S&S: What are you looking forward to this year? New goals?
Kelly: In May, Candice Rhea and I will be doing a conjunctive showing at the Loft in Missoula. It’s a great space, large and open. I’m looking forward to that.
One of my goals this year is to get back into doing live art to live music. I’m an introvert for the most part. Though maybe with a little help from my friends I’ll be able to do this 🙂 My goals have always consisted of doing my best to vary my style, and I like to raise more questions (in the content of my work) than can be answered. The mystery awakens ~ but is never quite understood.
S&S: Please describe your type of art and the mediums you work within. Which medium is your favorite? What do you call your style?
Kelly: I utilize pastel, acrylics, and charcoal mainly using canvas, wood, or driftwood as a surface. My favorite is probably charcoal on paper. The dark on white background is very dramatic, and allows me to really show emotional content in my drawings.
I would say my style is abstract, sometimes with forms and figures based loosely in reality. Many of these have forms influenced by the female face and figure. I think it’s quite original myself. My work is kind of hard to explain though.
S&S: How long have you been an artist? What got you started?
Kelly: I have been working an artist since 1994 when I went to high school in Seneca Valley, Harmony, PA. Before that I was a flutist, in my former high school in Germantown, TN where I studied with a private instructor. My family moved approximately every two years while I was growing up. When I moved from TN to PA during my Sophomore year, I switched from the flute to art. I was clueless in another new school, and Josh Reynolds, as I recall, was the one who pointed me toward the art corridor. I was always a creative person, and James Rettinger was my first art teacher / artistic influence.
During the latter part of my high school career, I spent half my time in the art department working on a large multi-medium collage / mural on plexiglass. I would get passes to leave other classes to go work on art projects. The key was getting my school work done ahead of time so I could have the extra time in art. The collage turned out great and stood in the school lobby for a long time. Art class was the only place I felt half way comfortable. I loved the freedom of expression. .
At the time, I had a variety of body ailments due to stress, as well as my budding Bipolar situation. I will never forget how low the lows got. It was during this time that I began Art Therapy. Practicing Art Therapy is my kind of meditation. Creating art is very cathartic.
S&S: What inspires you to create? (nature, music, people, drama, zen gardens, what?)
Kelly: Music! The music I listen to is usually upbeat, or carries forward momentum. I prefer instrumental music as words can sometimes get in the way. Art as meditation and as therapy and healing are extremely important in my life.
S&S: Do you have a process? (Do you have to sing, chant, or scream before addressing the canvas? Do you dance while drinking a margarita, or do you just binge on coffee and chocolate to get revved up? (Personally, I favor the coffee and chocolate while writing 😉
Kelly: I have several processes for different artistic purposes. For mood, I enjoy a candle on, some incense lingering in the air, and music as preparation to get into “the zone” 🙂
S&S: I’m no artist, so can you tell me, what is “the zone”?
Kelly: The zone happens when I’ve relaxed into my creation enough to find figures, people, beings expressing themselves, showing their forms to me from within whatever I am working on. Once I find them, I just bring them forward.
S&S: Who are your favorite artists alive or dead? They can be from any genre or medium.
Kelly: My favorite artists include Montana’s Jay Rummel, Albert P. Ryder, and Picasso. Some of my most favorite artists are also good friends. For instance, Candice Rhea (Serenity Creations on facebook), and Akhilesh also on facebook.
S&S: What does art mean to you? Why do you do it?
Kelly: Art is my soul’s survival. Art is passion. Art is everywhere. The creation of art, for me, is “Emotion in Motion”, which is the collective title for my work.
S&S: If you could travel to any place / time for your art, where would you go and why?
Kelly: I would travel through my subconscious mind. Maybe then I would know which direction to start. I believe being in the “Right Time, Right Place” brings success. I would prefer to travel to the places where I wold be steadily successful with selling work. I would also like to travel to enrich my life and my art. I really do not have a definitive place in mind. Just the right time, right place!
S&S: And finally, do you have any special projects / charities you support?
Kelly: I do. I hold Art Therapy meetings at my home, as well as more informal “Arting” sessions. I work with both youth and adults.
S&S: Please describe an Art Therapy session. Is it in a group or more individuals?
Kelly: I’ve only hosted a few Art Therapy sessions. Mostly they’ve been individual based, but it’s possible to have groups. Depending on the situation, the person either brings their own supplies or they use what I give them, then they just begin. Sometimes they talk while creating, other times they are quiet.
Art can be very therapeutic as the act of creation is very empowering. A person can take something negative going on in their life and turn it into a positive, maybe even beautiful thing.
Abstract artist Kelly Loder certainly does this! Her creations are both beautiful and evocative. Thank you Kelly for sharing your talent with us.
**Plus bonus interview with exhibition curator Megan Holden!**
Our meeting started out with a smile and a hug. Artist and musician Tom Norton, the People’s Choice winner of the “Origins of Fear” exhibit is a kind, funny, deeply considerate, “live in the now” kind of guy. He believes that, “the last check you write should be to the funeral home, and it should bounce.”
A true Spokanite, Tom grew up near the Garland district and says his love of music started in first grade, when the nuns at St. Xavier asked him to play piano for them. He continued playing at G Prep where occasionally his talent bought him some leeway, getting him out of class, and sometimes out of trouble!
Always looking for the silver lining in things, Tom is still a bit of a perfectionist when it comes to his paintings. He believes that “Less is more” and admits to having painted over finished works when he felt that he’d tweaked them too much. As a writer, I understand that need to edit, re-do, edit again. I believe it is a condition endemic to the artists heart.
Now celebrating seven years of sobriety, (WTG Tom!!!) this self proclaimed “reformed” bad boy is putting his talent for art and music to good use and in turn, making the world a better place. Keep reading to learn more about this fun and fascinating man.
Q: Congratulations! You are the People’s Choice winner at the Little Dog Art Gallery’s “Origins of Fear” exhibit. Your piece, “Room 208 / Mother Please” is apparently creepy and haunting enough to have chilled the most spines. Please tell us what inspired it? Did you make it specifically for this show or had you finished it prior to the open call?
A: Thank you! “Room 208” began as a quick sketch of a face, which I immediately didn’t care for :), so I painted black hair over the face. A straight jacket came to mind – don’t know why, and so it “began”.
I began to think about my mom and her many, many dark years suffering from bi-polar depression. She was treated for this throughout her life, before anti-depressants and therapies evolved into what they are these days. I grew up watching her, not understanding what was happening – only being told to be quiet and kind to her – that she was “ill” and that we needed to do everything we could to make her days easier. Shock treatments, massive amounts of prescribed drugs, and the fallout from these things: nightmares, isolation, realizing that our family was not like the happy families on television – it was tough. Mom could be extremely manic and in no control of what was going on inside herself one day, and then sweet, gentle and wonderful the next, so these thoughts had some things to do with this painting.
It’s not about my mom though. It’s about isolation, and controlled environments. About being kept away from the world. And no, I did not create it for this exhibit. It was completed before the call, and just seemed to be a good fit to me as an entry. I wrote a quick story to go along with the painting . . .
“Mother says that she cannot protect herself from the world around her . . . and me. Mother please. She built a door for me. Then she sealed it closed. She sees me in my room. She put a ladder there today. I fear the world. I dream of better days instead. I must not try to leave. Mother please. . .”
Q: Is this a genre you usually work in, or was this a step outside of your comfort zone? Also, what would you call your style of art?
A: This was way outside my comfort zone or normal work genre. I don’t have, nor do I want a specific style of art. I go day by day, and ideas come to me, or scribbles turn into something. Most of my work ends up being “lighter”, more whimsical, more fun. Some of my art is dark though, and it’s rare that I show it, or even finish it in one pass. One day I’d like to do an exhibit of my darker art, but I fear that I may be locked up if I do!
Q: How long did it take you to finish this piece? What materials did you use?
A: I started this one at Mt. Baker Blues Festival. I was performing there with The Bobby Patterson Band. I play keyboards. I finished it a few weeks later, so I guess about a month to complete. It was done with acrylics and charcoal on wood panel.
Q: Did any of the other pieces at the exhibit creep you out?
A: Yes, I don’t like spiders, but the spider mobile fascinated me. I stared at it for a long time. They were just so beautiful I was mesmerized.
Q: How long have you been painting, and how did you learn your craft?
A: I’ve loved art since I was a young boy. Always doodling, always amazed by the artists in this world. I am primarily self-taught. I was invited to take some art classes at GU when I was in high school. I wish I would have studied art and learned more techniques back then, but I decided to be a rock star instead 🙂 and the music business consumed me for a long time. My art took a back seat, and it wasn’t until 2009 that I revisited that passion.
Q: As an artist, what do you do to find inspiration? (Hot yoga, spelunking, e-books?)
A: Everything inspires me. I love galleries. I love people. I love dogs. I didn’t paint for over 20 years. Then I retired, sort of. Now I can’t stop getting inspired!
Q: Do you make a living with your art or are you moonlighting from a more “muggle-ish” job?
A: No, I don’t make a living with my art. I sell a few pieces here and there. I’m supposedly retired, but my music and art keep me very focused, very busy. I don’t want to be that old man who sits in a chair and looks out the window.
Q: After checking your facebook page, it looks like you are both a Seahawks fan and an animal lover. Is that correct?
A: That’s right. I am a long time Seahawks fan! I love Seattle. I miss living there. And I love animals. Football players are animals too ;). I love my two dogs, Max and Sophie. I don’t care much for cats. They don’t like me.
Q: If you could travel to any place / time for your art, where would you go and why?
A: France and Italy in the present. I love the new emerging art, and I love the old masters. I was in Europe last March. Paris is amazing. I could spend a lot of time there, painting, learning, eating. . .
Q:Who are some of your favorite artists, in any genre, and how have they affected your artistic expression?
A: Dali, Picasso, Gahan Wilson, Da Vinci, Rembrandt, Pollock, David Choe, Os Gemeos, andy and all true graffiti artists. The radical differences in these artist and styles of art have “infected me” for many years.
Q: Do you have any causes / charities you support that you’d like to share?
A: I’m currently supporting getting Trump to go away and never be seen again. (D’oh!) And I feed the homeless sometimes. I support 2nd Harvest and Salvation Army along with a few others, but I need to do more to truly support those in need. I need to make the time to do that.
Q: Where can we go next to see or hear more of your work?
A: I’m exhibiting at Left Bank Wine Bar again for the month of November. I love that place. I sell art there! People come, drink wind and beer, and sometimes they see and like my art! I like showing in wine bars. I don’t drink anymore, but I enjoy seeing people drink and have fun and then buy my art.
If you are not into wine bars but want to check out Tom’s work, you can visit his website Tom Norton Art .
Or, if you are more interested in music, you can find him most Sundays playing with Voodoo Church at Cheap Shots.
Q: So final and possibly most telling question. Tom, do you prefer Star Trek, Star Wars, or Dancing with the Stars?
A: I prefer Star Trek. I enjoy the cheesy first episodes, the evolution of Spock, and its more optimistic view.
I can’t say I’m surprised that Tom preferred Star Trek. He is constantly looking for the good in life, in people, in art and music. His kindness and wit made this interview completely enjoyable.
Of course none of this would have been possible if it weren’t for Kay West at the the Little Dog Art Gallery and her chosen curator for the “Origins of Fear” exhibit, Megan Holden. A fine line illustrator, graphic designer, and jewelry maker, I got to sit down with Megan a few days ago and ask her about herself and the exhibit.
Unsure about what to expect upon meeting her, the first thing I noticed about Ms. Holden, beyond her gorgeous auburn hair, was her awesome Led Zeppelin shirt and amazingly detailed fingernails painted with skeleton parts on a black back ground. Pretty much everything about her oozed quiet confidence and fun loving friendliness. I was instantly put at ease, and drawn in.
Pun not intended, Ms. Holden’s drawings are intensely detailed, lively and full of motion, it is easy to get lost in them. A feast for the eyes, and her jewelry is just as lovely. You can see for yourself by visiting her facebook art page Poseidon’s Consort or her jewelry page JewelryDesignedByMegan.
When I asked her how long she’d been a curator, the surprise answer was this had been her first foray into curating! Apparently, she’s known Kay for a while, having met at the New Moon Art Gallery , when they both had pieces there. Kay asked her to curate the show and, despite never having done it before, Megan jumped in with both feet and created an amazing exhibit.
She had two criteria for choosing pieces from the many entries the open call brought in: 1) Did the artist follow submission guidelines? No cutting corners or dodging procedure allowed. 2) Did the piece generate a feeling of fear or a perception of danger in some way? Did it dredge up memories of past fear?
I asked how she came up with the theme of the exhibit. Her response was thought provoking. “I was raised watching Hitchcock films and although it was initially inspired by October and the heightened sense of tension created in Hitchcock movies, I came up with the subject matter by wanting to further explore the fears that lie deep within us. It was about tapping into things like fear of loss, fear of commitment and things that affect daily decisions or shape our character. I like to see how fear of all kinds either promotes or inhibits growth. It is a shared experience everyone can relate to on some level.”
I think we can all agree, we’ve all had some sort of fear response to unusual situations, shocking surprises, and those things that go bump in the night, right? Thankfully, Ms. Holden wasn’t afraid of the unknown and agreed to curate the “Origins of Fear”.
Once selected, the artists works spent a month in the Little Dog being admired and voted on. Tom’s “Room 208 / Mother Please” ended up being the most popular / creepy. Second place went to a lovely gal previously interviewed for this blog, Kim Long! Her submission (below) is called “Surrender the Heart” or “Spirit of the Birch”.
Congratulations to Tom and Kim for winning the most votes, and to Megan for organizing a terrific exhibit!