Deep Blue Emotion by Kelley J. Sullivan

Deep Blue Emotion by Kelley J. Sullivan

Earlier this summer, I went to ArtFest with a friend. We took our time walking through, looking at all the amazing art, and talking to the artists. A few of them stood out to us, not just for their artistic offerings, but for their kind and fun personalities. Kelley J. Sullivan was one of them.

Despite the heat of the day, Kelley’s vendor tent was an oasis of cool. Cool paintings, cool water, and a cool artist. Inviting us in, she offered us bottles of water, answered our questions, and was just generally kind and amazing. Her paintings, all done in shades of blue, created the illusion of non-sweat inducing temperatures, and we found ourselves hanging out longer than we had intended. When we finally left to finish our tour of ArtFest, we ended up circling back to her booth. My friend couldn’t leave without purchasing some of her cards, and I couldn’t leave without asking for an interview. I just had to share her talent with you all.

Please keep reading to learn more about the deep, blue, emotions of Kelley J. Sullivan.

SnS: First of all, Kelley, thanks for interviewing with me. I am fascinated with your work. Please describe your style of painting.

KJS: It’s hard to peg my style down to one category. I’ve heard everything from abstract landscapes, to abstract impressionism. For me, the category has never mattered. In my mind, I paint emotional landscapes or models of inner-life. Every painting is a moment in time, tied to an emotional state that everyone has likely felt at some point.

SnS: Looking at your work, that is a great description! So, what drew you to the blue palette?

KJS: I’ve always felt more comfortable using a cool palette. When I try to go branch out into brighter, warmer colors it begins to feel forced. I figure if I’m trying to put some sort of my truth onto canvas, I need to stick to what feels right.

SnS: I like that. After ArtFest I started following you on Facebook. You’ve posted pictures of our art on your page, and many of them have a short poem attached. Do you write those, or are they quotes?

KJS: I write everything I post. (There may have been one exception, but I would have quoted the author) I have an absolute love affair with the written word, and write something for almost every piece I paint. I had originally intended to include the poem on the back of each painting, but realized it may change the experience of the viewer. 

I think it is more important for each viewer to have their own personal experience with each piece. Without interjecting my meaning onto it. However, I have included it when requested.

SnS: Good to know. So, how did you become an artist? Did (or do) you have a more traditional job?

KJS: I started creating from the moment I was born. Although I’ve held an expansive array of other jobs, art was always a consistent passion in the background. In 2008 a friend saw some of my paintings and urged me to start sharing them. I started small, showing in local coffee shops and entering every online competition I could find. As I gained exposure, my career just started growing in an amazingly organic manner. I feel so lucky to be at a point in my life where I am able to do what I love as my sole career.

SnS: That is a blessing! Do you have any artists (of any genre) you admire?

KJS: There are so many. I find that most of the artists I am in love with aren’t necessarily world famous. They are artists I find on Instagram, at art fairs, or hanging in coffee shops as I travel. I am definitely drawn towards edgier styles of art. Some of my favorites right now are Walt Hall, Annie Owens,  Kathryn Hackney, and James Lipnickas.

SnS: What do you do to get in the mood to paint? What inspires you?

KJS: Music is probably my biggest inspiration. With art as my full time job, I often have to create when I just don’t feel like it. If I put on some sad, moody music with good lyrical content it can usually put me in a place where I can open up and paint.

SnS: You seem to always be on the move. What do you do to relax?

KJS: Relax? Who has time for that! 🙂 But on the rare occasion when I am able to, I head outside. Hiking and camping are fuel for my soul. I’ve also found that as I am getting older, quality time with people who challenge me, in a positive way, can do wonders to help me recharge. I’m lucky to be surrounded by an incredible community.

SnS: Community is important. So what do you think is the one thing about you that people would be surprised to know?

KJS: Probably that putting my art into the world was one of the hardest things I have ever done. I painted solely for myself for years, and never had any intention of showing it to anyone. I had rooms full of unfinished paintings that had never seen daylight. I was terrified that no one would understand what I was doing. I’m still in awe that some connect to it.

SnS: Well it is beautiful, and lucky for us your friend pushed you to show it. So here is my favorite cheesy question. If you could host a picnic for anyone, living or dead, past or present, who would you invite and why?

KJS: I’m EXTREMELY sentimental over the people in my life that have shown me kindness, support, or encouragement. It would be one hell of a party. I would love to invite all the people that I have appreciated. It could have been a kind word on a hard day, or a huge show of encouragement. Some would not be surprised, but I bet quite a few would be shocked to receive the invitation.

SnS: I love that. That’s a great attitude to have. You were very kind to me and my friend at ArtFest. Do you have any causes or charities you support, other than overheated bloggers?

KJS: I am a board member of S.L.A.M. – Support Local Artists and Musicians, in Montana.

SnS: Sweet beans! You are a busy woman. Thanks Kelley for sharing your time and your talent with us all.

If you would like to see more of Kelley’s work. . .

Featured artist at ERA Landmark in Bozeman, MT. Sept. 8th.

INTROSPECTION, an ab-ex group show at FOLD Gallery in Los Angeles, CA. through Sept. 18th.

Bozeman Open Studio Tour – October 21 & 22.

Sip and SLAM Bozeman – September and October.

Or follow her on Instagram or facebook

 

 

 

 

 

 

Advertisements
Kate Poitevin, author of “Saving Tir Gaeltacht”, talks nerdy with me!

Kate Poitevin, author of “Saving Tir Gaeltacht”, talks nerdy with me!

Walking into my first Spokane Authors and Self Publishers (or S.A.S.P..) meeting, I had two goals: 1) find like minded folks who might help inspire me to finish my own book, and 2) troll for an author to interview for this blog. The meeting went well enough that I plan to go back. I expected that it would, as my buddy D. Andrew McChesney, previously interviewed for this blog, had recommended it. What I didn’t expect was to find a “pot of gold”, in the form of Irish writer Kate Poitevin.

I noticed her book, among many, on a display table. The cover art suggested something I might be interested in, and the title hinted at adventure. Of course like any fantasy nerd, the moment I opened the book and found a map, I was hooked. Without extra copies on hand I was delighted to see that Kate herself was at the meeting. I made my way over and chatted her up a bit. She was kind, quirky, and cool. Thoroughly impressed, I ordered her book on-line as soon as I got home, and devoured it over the next two days.

“Saving Tir Gaeltacht” is a blend of Harry Potter-esque adventure, Irish myth, and Narnia Chronicles wisdom. In it, four siblings and one cousin are tasked with saving a kingdom and fulfilling a prophecy using skills none of them knew they possessed until accidentally stepping through a portal to another world.

Each child meets and bonds with a mythical creature who protects, guides, and teaches them how to survive in the magical land of Tir Gaeltacht. With many missteps, a few life lessons, and much humor, the children make their way across a vast land to meet a powerful enemy and fulfill their destinies.

Told from the perspective of a young bard, this story held my attention  throughout (a feat within itself) and, upon finishing the last page, I decided I had to interview the author. As luck would have it, she agreed!

Mj: So Kate, tell me a little bit about yourself. Have you always been a writer?

Kate: My first home was a float house on Coeur d’Alene Lake. My dad used to be a tug boat captain, and loved the water. His side of the family were all boatmen and my mom’s were lumberjacks. Whether it’s that history, or my Celtic roots, I do enjoy plaid flannel 😉 

On my first birthday, Dad bought The Boat Drive In. We lived in the attached apartment for almost three years until my parents bought the house my brother and I grew up in. I helped out in the kitchen of the Boat Drive In until the age of 14, when they sold it. I was in my late teens when I first met my husband to be, Jim. We both moved away to separate areas and lost track of each other for ten years. Then in the spring of 1978, we bumped into each other at a pub. We were married by February of 1979.   

 After that, I worked at Taco Time for a while. I also worked as a ceramics caster, and a binder in a print shop. Eventually Jim and I bought and ran a concession trailer called “Murphy’s Corner” for 12 years. Retired now, my husband and I both love boats and finally have a sailboat of our own to enjoy. 

My first writing experience was early in our marriage. At that time, Jim worked for a company that had a monthly news letter and I was invited to write a short article. I guess people liked it because they kept asking me to contribute after that. It wasn’t until I was invited to visit a local writers group, “The Tin Pencil” in 2008, that I got serious about writing a book though. My friend Mallory Battista founded the group that encouraged and helped me to finish the book. She also designed my cover.

Mj: That was a good group then!

Kate: Yes, and it still is.

Mj: Your bio on the back of your book lists you as a writer, artist, and clan chief. The writer part is obvious. Can you explain the artist and clan chief part to me please?

Kate: It says artist on there? **I point it out to her** Well then, I must be an artist! Actually, I used to cast, fire, and paint ceramics. Maybe that’s why Mallory said that. 

Mj: Looking around I see many fantasy castles and figurines. Did you make any of these?

Kate: Yes I did some of them, but I sold or gave most of my pieces away. I did win a prize for one. It’s not a fantasy piece though. **She walks across the room and retrieves a beautifully life like ceramic Wood duck.** I won a Peggy Award for this. It was actually surprising to me. I entered the contest only wanting a little light blue ribbon for best of category. I was shocked the morning after judging when my duck was missing from the shelf, until my boss asked me to accompany her to the winners table. I was thrilled to see a little blue ribbon. In fact, I was so engrossed with the ribbon, they had to point out the giant trophy sitting next to it!

Mj: **LOL** Apparently you can be very focused. So what is this about being a Clan Chief?

Kate: I joined the Irish Clan Cian (pronounced Kee-in) in 2000 and moved up through the offices: Tent Assistant, Convener, and Chieftan, until becoming Regional Chieftan. My region includes Eastern WA, Eastern OR, and all of Idaho.

My good friend, Chieftain Debbie Hinshaw, and I go to the Highland Games around the northwest, and help people find their Irish roots. We also get to bring new members into the clan. It can be hot and dirty, or cold and wet work, but the upside is that we get to spend weekends watching men in kilts.

Mj: Well that is very cool, but your bio also lists you as a Fantasy and Sci-Fi nerd. Is that true?

Kate: **Gives that dazzling smile** Oh yes, I am a total nerd. I became addicted to fantasy novels 35 years ago when Mom gave me my first fantasy novel, “Arrows of the Queen” by Mercedes Lackey. She didn’t “get it” but thought it was a cute story. I, however, was hooked! From that I moved on to the “Earthsea” series by Ursula K. Le Guin, and from there to anything by Terry Brooks, Terry Pratchet, J.K. Rowling, Tolkien, and Anne McCaffrey to name a few of my favorites. Oh and I’ve recently become obsessed with Dean Koontz’ “Odd Thomas” series. Never read horror, but picked it up and fell in love with Odd. Beyond that, I’ve always been a Star Trek / Star Wars nerd and I proudly admit to being a Whovian.

Mj: Ah, nice to meet yet another complete and total nerd. This immersion in nerdiness explains some of your own book, “Saving Tir Gaeltacht”. As does your Irish back ground, but can you tell me what inspired you to write it in the first place?

Kate: Well, it started out as a story for my grandchildren, Gabe, Taylor, Jordan, Zach, and Zayne. They are the stars of the story.  I let them pick what their bond mates would be, and name them. Gabe, originally wanted a flying frog for his bond mate! I just didn’t know what to do with that, so I asked him to study some on mythical creatures. Thankfully he settled on the white stag.

In fact, many of the characters in my book are fictional representations of my actual family and a number of friends. I let them all pick a Celtic name, and tried to get their personalities right. My youngest daughter, Callie, is Kyla. Michelle is the lady warrior, Maeve. Son Kris is Declan, his wife, Josie is Molly.

Mj: So how close are the characters in relation to your grandkids? Are they a lot alike?

Kate: Yes, I tried very hard to make them see themselves. I never intended for this to be published, it was always just for them. I wanted to put in little family references so they would remember what they were like when that age. Zach and Zayne, who followed the story as it was written made sure that I had none of them do or say anything that the real one wouldn’t. In fact, one of my proudest moments was when a friend of mine finished reading the original draft and told me, “It wouldn’t matter if you changed the names of their characters. I would have known who they were just by how you wrote them.” 

Mj: That’s a nice compliment! It really is a good read, but when can we expect a sequel? 

Kate: Well actually, I am working on a prequel. It is Ronnie’s story. Ronnie was the dragon Jarth’s first bond mate, the one who helped create the prophecy, and set up certain safe guards for the young man who was to come after her.

Mj: Excellent! When can we expect to see this available?

Kate: As soon as I can finish it. I’m getting closer. The problem writers have is finding time!

Well, I for one, can not wait to read it! To order Kate Poitevin’s book, “Saving Tir Gaeltacht” just click on this link for a Kindle edition or paper back version. If you would like a signed copy, and live in the Spokane area, you can purchase it directly from Kate! Just drop her an e-mail at . . . katelaptop@murphyscorner.com.

 

Coming soon! An interview with Kate Poitevin, author of “Saving Tir Gaeltacht”

Coming soon! An interview with Kate Poitevin, author of “Saving Tir Gaeltacht”

Coming soon!

Coming soon!

An interview with the People’s Choice winner of the “Origins of Fear” exhibit at the Little Dog Art Gallery

There are still 3 days left to vote. If you haven’t stopped by to experience the chilling art work or to cast your ballot yet, you’d better run down there. RUN, RUN FOR YOUR LIFE!

Then, stay tuned guys and ghouls, to find out who caused a shiver to run up the collective spines of all those visiting the gallery this month, and learn just how twisted they really are! Muahahahahahahahaha!

A Glimpse into the Mystical Inner Space of artist Mitchell Pluto

A Glimpse into the Mystical Inner Space of artist Mitchell Pluto

A friend and I were walking along the nearby Garland Business District enjoying the sunny day and checking out the all the shops when we discovered a new art gallery. We stepped into the Little Dog Art Gallery and chatted up the owner / curator Kay West (an absolutely lovely woman). Of course, always being on the look out for artists to interview, I told her about my blog and asked her to check it out. As it turns out, luck was with me. Or actually standing ten feet behind me.

Montana artist, Mitchell Pluto was in the Little Dog Gallery waiting to drop off one of his paintings (Oracles of a Petrified Planet – pictured below) for display in next months “Earth + Above” exhibit.

The first thing I noticed about him, beyond the large painting he was holding, was an intelligent twinkle in his eye and an open and engaging smile. He was holding his painting back side out so, curious as to what style he embraced, I approached him and asked to take a look at it. He obliged with a smile and turned the painting around. At once magical and thought provoking, it instantly won him a new fan. A fan with a blog.

Keep reading for a glimpse into this incredible artists mystical inner space.

<<                                                                                                                                     >>
1.  When and how did you first discover your talent / love of art?

My grandmother was an artist and noticed my talent for drawing. She encouraged it.  Around age 14 after painting a few paintings I arrived at the conclusion I really enjoyed it. During the same time while in the library, I found a book on the surrealist’s which set off a whole journey into inner space. The surrealist’s provided a way to explore the self which seemed mystical, ancient and psychological.

2.  Did you attend art school, or are you self taught?
A little of both. When I went to college, it was to study art education to become an art teacher.  Before that I received a degree in Illustration. The curriculum required me to take several courses on painting, design, ceramics and figure drawing. I did notice my creative will always pulled me firmly towards painting…so much so, I think it made me a bad student with everything else. After school, without the approval of teachers, my work transformed. My aim became less ideal and cosmetic..and more about questioning the outcome of accidents (chance). 
 .

3.   What is your process? Do you paint during the day / night, with or without music, pets, or snacks? 

I can build a conventional painting but I prefer using a psychic process called automatism. This procedure is nothing more than creating an ink blot on canvas. It allows one to become aware of one’s free associations. What begins to look like a tangled mess, gets worked through. Outlined. Focused by layers. Developed, not prepared.  Automatism is supported by Freudian based psychology . Even though automatism appears supernatural it is an effective and healthy way of unearthing the subconscious. I would compare it to self hypnosis..with the painting being a wonderful side effect.  I paint during the day and night. I enjoy drinking black tea while I work, it’s refreshing.  

4.  You seem to favor flowing geographic designs and bold colors. What turned you onto this style? What do you call your style? 

It’s my duty to mention the Woodlands style founded by Norval Morrisseau, because it made a relevant impression on me.  I casually call what I do Primitive Surrealism because I use techniques used by the Surrealists and Sigmund Freud. The primitive part is intended to represent the animistic brain. Norval Morrisseau clearly illustrates this paranormal vision by using an x-ray quality in his paintings to reveal thoughts/spirits projected into persons, places and things. 

5. Much of your art also features a natural component. Is that where you find inspiration?  What else inspires you?

I enjoy the woods. I did a commission for the Sacred Yew Institute and found tree worship had an overpowering effect on my work. Even long after the project was completed. Besides having a propensity towards the mystical,  I have a lot of faith in science, especially anthropology and psychology.

6. Do you work in any other mediums? 

I’m primarily a visual artist, oil and acrylic painter.  I’m planning on producing more texture in my work in the future.

7.  When you create, do you usually have a message or meaning to impart, or do you prefer to just go with the artistic flow? 

Sometimes I have a message. Other times I find narration. . .which is more interesting to me. I like it when unexpected things happen during the process. Automatism upsets the surface of the canvas, which is the best environment for my animistic brain to project into, creating stories out of accidents.  Many times I’ll mutate subject matter if I feel like I’m being over deliberate or too controlling. I want my work to be mutually a part of myself, and an encounter with a self I’m unfamiliar with.  

8.  Who are some of your favorite artists? (From any genre: painting, sculpting, writing, music, whatever.) 

I’m a music devotee. Music is my religion. The range is too great to mention without forgetting someone. I buy music magazines and I’m regularly on the look out for something I haven’t heard before.     **Challenge accepted!** 😉

9.  What are some of your other interests / passions? (Hobbies, volunteer work, causes you support, etc.)

I like to try to make an avant-garde art film once a year, nothing major, just for fun. I support animal refuges and conservation when I can.  I don’t hunt for food every year but I enjoy it when I have time for it.  I  seek out the luxuriant in culinary experiences and like to cook. My wife and I live close to the Clark Fork River, we see a lot of bird activity which leads to taking a lot of photos of wildlife and landscape. 

10.  If you could travel ANYWHERE for your art, where would you go and why? 

Scotland/United Kingdom. I think I would enjoy being a guest there. They have tours that bring you to the stones and different ley lines. I would be open to observing what kind of magical effects those type of locations would have on my  work.

MPstoneturtle

Migrating Glyph (revised)

Like to see more of Mitchell’s work?  Click here to visit his fb page  OR  visit his personal site at mitchellpluto.com .