The Many Layers Of Artist, Linnea Tobias

The Many Layers Of Artist, Linnea Tobias

I must make an admission here, at the start. . . I was nervous to meet artist, Linnea Tobias. Having seen her work for the first time over a year ago, I was immediately drawn in. The world created by her art is layered with colorful details, whimsical creatures, and a depth of vision that I thoroughly enjoy.

Since that first exposure, I’ve seen her art work in more and more places: coffee shops, galleries, small businesses, and even a friends home! After a while, finding her art became like an Easter egg hunt, a thrill to spot. As I became more familiar with her works, I also became curious about the artist. So while waiting for her to arrive for our interview, I was both excited and a little nervous to meet her. Of course, a low dose of panic set in when I realized that my phones wifi wasn’t working and I couldn’t access a picture by which to recognize her. Thankfully, Linnea found me.

Immediately putting me at ease with her gracious good humor, I found that Linnea is quick to smile, very kind, open minded and just generally fun to talk to. I had promised to keep our interview to 30 minutes, but over an hour later we were still chatting. Like her art, she is absolutely engaging.

Keep reading to learn more about this amazing, intuitive artist.

SnS: Linnea, please tell us who, or what, inspired your love of art?

L.T.: My grandfather used to take me to a little art supply store where he lived in Hot Springs, South Dakota. I loved going there – art supply stores are like candy stores for me! I would take my new supplies, hang out in his basement workshop, and draw. He made wood furniture, but he also liked to talk about drawing. My cousin is an artist and I remember as kids he would always have a sketchbook filled with amazing drawings and cartoons that he had created. I was fascinated by them.

SnS: Are you classically trained, or self taught?

L.T.: I always drew as a kid, but I also took quite a few classes as well. I studied art at Evergreen State College in Olympia, WA and spent my senior year in Europe, at the Aegean Center for the Fine Arts on the island of Paros, in Greece. I also took classes at Humboldt State University in Arcata, CA, a few years later.

SnS: So how long have you been in Spokane, what drew you here?

L.T.: After graduating from Evergreen State College in 1991, I moved to Mendocino, CA and lived there for a few years before moving to Arcata.  I moved to Spokane about three and a half years ago, when my husband landed a job here. I have a sister who lives here too, so this area wasn’t completely unfamiliar to me.

SnS: What mediums do you work with, and which is your favorite?

L.T.: I have worked with almost everything you can imagine, and I have liked all of it. I’ve worked with pastels, watercolor, oil, acrylics, encaustic, gouache, collage, colored pencil, printmaking, and clay. 

Currently, I love fluid acrylics, watercolor, and experimenting with a combination of encaustic and pyrography.

SnS: For folks like me, who are not artists, please explain encaustic and pyrography? I’m guessing pyrography has something to do with fire.

L.T.: Yes, it does. Pyrography is wood burning. Encaustic is a mixture of pigment, beeswax, and varnish. You heat the mixture up and use the resultant colored wax to “paint” with. It isn’t precise, but is fun to work with.

SnS: How would you describe your style, and which artists (if any) influenced it?

L.T.: I’ve always found that a hard question to answer. I love color and nature. I paint intuitively, starting with an idea or drawing that inspires me. I add pattern to it, or abstract imagery, and I put it together going with what feels right. It’s like putting together a puzzle, and only my intuitive self knows the answer.

Quite a few artists inspire me. Paul Klee, Pierre Bonnard, Gustav Klimt, and Odilon Redon are a few.

SnS: Where else do you find inspiration / motivation for your art? Do you listen to music, hike through the woods, drink herbal tea while watching Syfy or Nat Geo?

L.T.: I love to spend time outdoors taking long walks with my dogs, or in my garden. Nature gives me the most inspiration. When I lived in California, I lived next to a redwood forest. It was amazing, and I loved the light. Now that I’m in Spokane, the light is different, darker, but I’m still close to nature and enjoy many of the walking trails and parks throughout town. 

I often meditate before I paint. It puts me in a calm, receptive mood. Puts me in “the zone” so to speak. The zone is where I find my flow, transcend self imposed limitations, and let creativity lead me. I also love to travel, and find lots of inspiration from that.

SnS: Travel is always good. Do you have any destination goals?

L.T.: Oh, so many! I’d like to visit Denmark, Norway, Spain, Vienna, Prague, and Japan. Here in the states, I’d like to visit New Orleans, but not during Mardi Gras. I don’t enjoy crowds that big.

SnS: Me either, but I do enjoy how layered and detailed your paintings are. How long does it usually take you to complete a project?

L.T.: It depends. Often I work in a series of three paintings that relate to each other, and work on them simultaneously. Those can take a few days, to a week, to complete. Some paintings take longer. I may put a layer of paint on them and then let them sit for a few weeks, or months, while I contemplate what to do next. Sometimes I complete something within a day or two, when I can visualize clearly what I want it to look like.

SnS: Has your art changed over time? 

L.T.: My art was much darker when I was younger, probably due to residual teen angst 😉 It changed as I grew up, and when I got married, but one of the biggest changes came after I had my daughter, not long after 9/11. My art became lighter, more joyful, and more colorful as a result. I guess it was my way of pushing back the darkness for myself and my family, and to create a positive atmosphere. 

Moving to Spokane changed it again as I had to get used to the difference in the light. Spokane is darker than California, and has an actual winter.

SnS: what do you think of the Spokane Art scene?

L.T.: The local art scene is small but good. I see a lot of enthusiasm here, and I’d like to think that means that we’ll keep moving forward, keep growing, spreading beauty and hope.

SnS: Well you are doing a good job of that. 🙂 Did you / do you have a day job?

L.T.: This is my job. In the past I have worked for art galleries, non-profit art organizations, and I’ve done some graphic design work. I worked at a summer stock theater in Custer State Park for six years, during college. I painted sets, ran the box office, whatever they needed. I had lots of other boring jobs in between.

Fun fact: my first job, at age 15, was as a tour guide in a commercial cave in the Black Hills of South Dakota where I grew up.

SnS: Obviously, you’ve been working on, around, art and artists a while now. What are your goals as an artist? Have you reached or surpassed any previous goals?

L.T.: One of my goals is to keep trying new techniques and ideas, to stretch myself as an artist. I’m always searching for new ways to express my ideas. 

In the past year, I’ve been experimenting with encaustic, and that has been really good for me. Working with beeswax and pigment forces me to give up control over the end result, and let the materials take over.

SnS: Speaking of control. . . If you could control space and time, travel through it to enhance your art, where would you go and why?

L.T.: I love to visit beautiful places like national parks, gardens, the ocean, lakes, etc, and this past week I went to Palm Springs to see the desert bloom in Anza Borrego State Park, and Joshua Tree National Park.

As for going back in time? When I spent that time on a Greek island, I was fascinated by the ancient ruins and old marble mines where they found the marble to use for sculptures on the Parthenon in Athens. I’ve often wondered what it would have been like to live in ancient Greece, so I’d visit there.

SnS: Nice! Would you ride along with “The Doctor”, H.G. Wells, “Doc Brown”, or “Bill & Ted”?

L.T.: Probably none of them. I’d rather bring my dogs instead.

SnS: Well that sort of answered my next question of, which would you prefer as a companion: a dog, cat, squid, or squirrel?

L.T.: Beside my dogs, I do have a cat I adore, so she’d have to come too.

SnS: Okay, final question. Do you have any causes or charities you support that you’d like to share here?

L.T.: I love PBS and NPR. I support local public radio stations and television. I’ve donated to the ACLU, Planned Parenthood, and the Humane Society in the past year.

If you would like to see more of Linnea Tobias’ work, you can find her locally at: Pottery Place, Artemesia in the Women’s Club on South Hill, Lindaman’s, the Chocolate Apothecary, and during the summer, Entree Gallery in Priest Lake, ID.

On line you can find her at: LinneaTobias.com , Etsy , Instagram , or Facebook

Coming soon!

Coming soon!

An interview with the People’s Choice winner of the “Origins of Fear” exhibit at the Little Dog Art Gallery

There are still 3 days left to vote. If you haven’t stopped by to experience the chilling art work or to cast your ballot yet, you’d better run down there. RUN, RUN FOR YOUR LIFE!

Then, stay tuned guys and ghouls, to find out who caused a shiver to run up the collective spines of all those visiting the gallery this month, and learn just how twisted they really are! Muahahahahahahahaha!

The Urban Art Co-op – Spokane WA.

The Urban Art Co-op – Spokane WA.

urbanartcoop  urbanartists

According to their website, the “Urban Art Co-Op is a group of talented and diverse local potters focused on promoting and supporting the arts in our community with the intent to expand to include artists who work in other mediums . We have created a welcoming environment for all levels of potters where artistic growth and collaboration happen. We teach classes and workshops, exhibit, sell and give to the local community. Our structure is supported by artist’s participation in all duties and functions of the Co-Op which allows us to maintain an affordable space for all members.”

I recently had the pleasure of interviewing two of the founding members, Karen Mannino and Nick Lowe and one resident artist JoDee Moody. Their energy and good humor made for a fun and relaxing time as they showed me around and gave me the scoop on the Urban Art Co-op.

The idea for the Co-op was born December of 2014 when a group of Spokane pottery artists dreamed up their perfect space. Autumn Bunton, Karen Mannino, Nick Lowe, John Newman, Keith Harger, Jo Dee Moody, and Libby Schoedel are the founding members of the Urban Art Co-op. Their idea was simple yet powerful. Create a space where artists of all kinds can come to share ideas, inspiration and tips of the trade. A place to make friends and build community connections.

With this goal in mind, the group met weekly to write up by-laws, hammer out membership parameters and contracts, and generally figure out how to get started. Excitement grew as they worked well together and by February of this year the group had built enough capital and gathered enough donated materials to begin. February of this year, they found a space at 3017 N. Monroe and began remodeling it to fit their needs. Despite a few structural difficulties to overcome, it didn’t take long for them to settle in. Their Grand Opening & Mug Sale was held on March 28th and 29th. Amazingly, not only did they get their studio ready but the artists created over 200 mugs and six special prizes to be raffled off, some of which are pictured below.

Urbanartdragonjar  urbanartfacejug  urbanarttoadhouse

According to Karen and Nick, “It actually came together amazingly easily. Everyone of us was able to contribute in different ways, from building the website to constructing special sinks that can collect clay run off without clogging. We are proud of what we’ve started and hope to expand into other mediums; let other artists use this space to create art and hold workshops.”

They are off to a good start. The Co-op currently has seven potters wheels, and (for the moment) 1 working kiln with 3 more to be installed soon. They offer wheel throwing, hand building, pinch, coil, and slab sculpting classes. The classes are eight weeks long, with an additional two weeks for final touches and cost only $125.00. This includes clay, glazes, and kiln time. Pottery, however, is not the only medium they teach. As with so many artists, the core group has a list of other skills to offer. Their talents include painting, photography, writing, basketry, glass creations and more. It was this mixed bag of interests and talents that helped shape their goals for the Co-op and lay the groundwork for them to offer special workshops beyond the pottery medium.

Their first workshop was called “Fastenings and Findings”. Two of the co-ops members, jewelry artists Jo Dee Moody and Mary Cooper taught how to wire wrap ceramic pendants, make bails, adjustable clasps, and decorative knots in cord, and two styles of earring heads. JoDee was very pleased with how well the workshop went. “Everyone was happy with it. Mary brought in so much information for our students, things they probably wouldn’t have gotten elsewhere. For only $40.00 they left with at least four items. Everyone made two pairs of earrings, a wire wrapped pendant and fastener/finding, and a necklace.  Our workshops last one or two days and vary in price and difficulty. This first workshop was geared toward people with some experience in making jewelry but we also offer workshops for beginners.”

urbanartpendant  urbanartpen2

More workshops will be offered soon. A Felted Vessel workshop is already open for reservations on their website (link at bottom of post) and will be held on May 31st. Plans are also in the works to hold an August workshop teaching Eco-printing on silk, and an October workshop teaching how to create mugs/jars with faces like the one pictured above. Bookmark their website to keep on top of all the amazing workshops offered.

With a current total of fourteen co-op members, including six teachers, and three resident artists they are hoping to expand their co-op into other mediums soon. According to Karen, “We are currently available to host date nights, ladies nights, birthday parties, and corporate events. Our ultimate goal though, is to own a larger building, bring in small groups of artists that work with different mediums and are willing to bring their talents and enthusiasm to teach more workshops, share equipment and collaborate on projects. We need people willing to put in a little seed money, time and talent to help us grow.”

“All members help with upkeep of the studio and donate a portion of their work for sale so we can keep prices low. We want to make it a good deal for the artist; give them an incentive to be here.” So far it’s working out nicely. The co-ops artists, using a variety of techniques, have made some beautiful and useful items.

urbanartpiedish  urbnartutensiljar

urbanartwall  urbanarttable

Interested in taking a class, attending a workshop or becoming a member? Are you an artist in need of some space? Do you, or anyone you know of, have any items you’d be willing to donate? Check out their website at http://www.urbanartcoop.org/ .

** The co-ops wish list includes more cabinets, pottery wheels, and an extruder (think giant Play-doh press).