Getting Real With Artist, James McLeod

Getting Real With Artist, James McLeod

 

I met artist James McLeod at a friends card party, and right away his mix of New York savvy and N. Carolina (southern) charm intrigued me. However, being somewhat shy of new people (yes it’s true) I was not being much of a conversationalist. Thankfully, the gal sitting on the other side of him was not shy. She, like him, was an artist and they struck up a conversation that eventually lead to James pulling out his cell phone to share pictures of his work. I was amazed, and hooked. His life-like sculptures looked ready to leap out of his phone!

I contacted him a few days after the party and thankfully, he agreed to speak with me. We enjoyed a chat at a local coffee shop, and the more I learned about him the more impressed I became. Down-to-Earth, warm, and funny, James McLeod is as wonderful a person as he is an artist. Keep reading to learn more about this incredible multi-media artist / Renaissance man.

SnS: Hello James and welcome to TheSquidandSquirrel. I understand that you are not from the PNW. How did you come to call Spokane home?

James: Well, I actually grew up in New York, but a few years ago I injured and re-injured my back and couldn’t walk or work for about a year. I lost everything, but I had corrective surgery and once I got back on my feet I had to start all over. So I had a cousin living here in Spokane. He said, “Yeah, this place is great. Why don’t you come check it out?” I told him I was at the end of my budget so if I came I’d have to make it work. I showed up with $400 and a suitcase. That was five years ago.

SnS: Wow, brave! What or who got you started creating art?

James: I’ve always been an artist. When I was four years old I made my first sculpture out of pipe cleaners. I made the big bad wolf. I can remember it like it was yesterday. He had legs and arms and feet, green pants and red suspenders. He was lighter around his mouth and his tail was extra fuzzy. I’ve been creating ever since.

Also, growing up in NY I spent a lot of time in museums and if you go to Manhattan a lot of the buildings are very sculptural. They have a lot of lions and people and muscles and all that kind of thing. I was forced to go to Broadway and off-Broadway plays and every class trip was to a museum, or something to that effect. So I was inundated with fine art, and that level of exposure had an effect on me.

SnS:. Cool. What is your favorite medium?

James: As far as medium, clay sculpture has been my thing for a long time. Now that I’m going to school I’m getting opened up to a lot of different things. Before this I was self-taught, through observing life, and other sculptures. Now I’ve dabbled in acrylic painting, and I’m not sure what to call the style. It wasn’t realistic in any way shape or form, but you knew it was human. You could identify what it was, but it was very folky, so I put it down. That’s not good enough for me.

SnS: You’re a perfectionist at heart.

James: Yes. My goal for my artwork is that when you see it, it should have a life. If it’s a thing, it should look like it’s going to get up and walk away, or at the very least you should see it thinking. That’s my goal when I’m creating anything.

I’m really getting into oil paint now. I took an oil painting class and found I have a gift for it. That’s the biggest thing about school to me right now. I’m being exposed to all sorts of things I hadn’t done before. I’m getting just enough instruction to take it and run with it, and I have plans to do a series of politically influenced works dealing with various aspects of activism. In school I’ve kept my subjects fairly sedate so that I don’t ruffle any feathers, but I’ve been told to take my hands off the wheel and run! So that’s what I’m going to do. I’ve also gotten involved  in bronze. 

SnS: Yeah, that piece you brought is amazing! (See picture below)

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James: Thank you. I’ve always wanted to do bronze because when I was little we couldn’t have pets. So I would make my pets out of clay, and they would live and have babies, and little stories attached to them in my imagination. But my brother would come and pull out my clay tray, take them out and chop their heads off. So when I came back to play with them, I would find them mutilated. So I thought, “Well, if they were in metal he couldn’t do that!”

I’ve always wanted to work with metal and the piece I showed you was my first bronze. I’d like to do much bigger pieces but with what’s available to me right now, in terms of tools and kilns I can’t go too big. I would love to have a kiln the size of this building and make pieces that big. So that’s a goal.

I’ve also done a little 3D design, but it’s not really my thing. My focus is the imitation / replication of life. Not just the angles, but also the feeling of it. I’ve seen people who are technically perfect who could sculpt you perfectly, down to the eyelash, but you know it’s a statue. There’s no life in it. So I try to incorporate both perfection and life. Sometimes I make things a little bit stylized to give life to it because nothing in life is perfect. Sometimes when you cartoon it a little or give it an imperfection it makes it more lifelike. That’s the only departure from realism that I’ll do.

SnS: Have you had a mentor?

James: That’s hard to say. Yes and no. There have been people along the way that have fed into my box of tools. But I’ve never had a “mentor”.

Tybre Newcomer has been helpful and was instrumental into getting me the position in the sculpture studio as the tech. I get to help the students, which is a big opportunity for me because it helps me to hone my skills. It’s also made me more patient in terms of their learning process. No matter the skill level, whether a Picasso or Joe Blow from around the corner, if you put effort into it I’m ecstatic and I can show you how make it look like what you want to see. When you articulate to me what you want to see I can help you get that regardless of your skill level.

There was also a lady, Maryanne, in Colorado Springs, CO who gave me my first sculpting job back in 1996. In her studio I made animals, because she wasn’t good at that. So I made buffalo, chipmunks, and wolves. I also made generic people in proportion so that she could then take them and make cowboys or Natives to fit her Southwestern theme.

SnS: Some artists have a creative ritual, like listening to music, going for a walk, or rearranging their studio before they can work. Do you have a ritual that helps your creative juices flow?

James: Do you see this thing right here? *He holds up an Iphone with ear buds attached* That’s what I do. I listen to music, tune everyone out and I just work and listen. Listen and work. Dance a little bit.

SnS: So who do you listen to?

James: Oh Lord, I have a big playlist. I listen to a little dance hall reggae, soul music, and jazz. My favorite singer in the world is this lady named Ledisi, I’ve been following her since she was a regular person. She had been singing at the Blue Note in the Village in NY, and after I left NY I’d still go up there to get autographed CDs and now she’s really famous. But I love her. There’s nothing she can’t do vocally. From the highest high to the lowest low. She’s phenomenal. But yeah, so mainly I listen to soul, jazz, a little bit of Journey.

SnS: You just won something in school. Tell me about that.

James: Yeah, so excited!  There are 2 classes you have to take before you graduate as an Art major. One is Portfolio, where you take your ten best pieces, write a bio for yourself, do a resume, get a professional photograph of yourself, and do a Power Point presentation. Then every art professor gets in a semi-circle around you and your work and they critique you. They are very to the point. They don’t try to make nice, so none of that “Oh he’s sort of frail emotionally”. Oh no. So I got a lot of good feedback and it was a unanimous decision from all the teachers. Of course, they told me that they didn’t like the orange I used. But I like orange. I don’t care what they’re talking about. The orange is sort of an invitation into my world. It’s telling you that I’m in there and I’ve got more for you to see, so I won’t listen to that one. Still, I won Portfolio and a $250 scholarship. 

SnS: Congratulations! Are you going to display the ten pieces you made?

James: I’d love to, but I need to get ready for (SFCC) Exhibit, so I’m hoping to be able to make more things, better things for that particular show. Right now though, I only have 2, 3, or 4 of a lot of different mediums. I’d like to create a more cohesive group of items that have some type of theme before I show. I don’t want to have a Dollar Tree sort of show.

SnS: Understandable. So, what are you plans after school?

James: I would love to open an art school minus the art history. To me that’s a waste of time. Those people (famous artists in history) are glorified and seen with rose-colored glasses, when usually they are insane, on drugs, or whatever but we’re taught to think they were these awesome people. My only interest in them are their techniques. So the school I want to open up would solely be techniques, techniques, techniques and things of that nature. A place where you could use your own vision, and not be influenced by somebody from 1717. You have your own mind, your own thought process and my goal is to give you the tools to bring out whatever it is in you, that you want to portray to the world. Whatever that may be. I’m not here to indoctrinate anyone in anything, I’m here to give you whatever you need to bring forth what you want the world to see.

SnS: Do you have a favorite artist or two? Someone whose work inspires you.

James: Duane Hanson. I saw his work in my Modern Art class. It was so cool because it was like very realistic. Not only realistic, it had LIFE. Like when you look at his pieces you couldn’t tell that they were not living people.

SnS: Very cool. Where else do you find inspiration? (Nature? Books? A double espresso?)

James: I love going outside, which I haven’t done a lot of since I got to Spokane. I’ve been too busy with school and trying to keep my head above water. But growing up, we’d go visit my grandfather’s farm out in N. Carolina during the summer. I loved it all: the trees, the chickens, the dogs, the cows. I like to get out to the woods.

SnS: If you could travel anywhere for art inspiration, where would you go?

James: I don’t know. Hmmmm. I love the sculptures in Greece and Rome. I love the realism in them even though some, like the David were sculpted to be a little proportionally off. That’s because they were meant to be viewed from a lower position, forcing you to look up. So I understand that. I’d also love to travel to Central America to see the Olmec sculptures.

SnS: Okay, what if you could travel through space or time? Where would you go then?

James: Well, this will sound cuckoo crazy and weird but it’s true. There’s this civilization called the Muu civilization that pre-dates all of what we call factual history. I would love to see that. See these people, see what they did, and how they did it. Half of their civilization is under water, and it’s like giant monolithic structures. So I wonder, who were these people? If they had the skill to make that level of structures, then I bet their sculptures were even more wonderful.

SnS: Anything you want people to know?

James: I’m currently accepting commissions for portraits or sculptures. I’ve done a lot of personal commission work here. Mostly dogs, and I love dogs so that’s not a bad thing. I just need a picture of the head, from the side and top, and the front, and a view of the body and I’ll make it just like it is. I prefer to experience the dog in real life, to understand its personality so I know who he / she is so I can build that in too.

SnS: Excellent. Thank you for sharing your time and talent, James.

If you would like to contact James McLeod you can reach him at – 

jdbonthego1@gmail.com.

 

 

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Finding beauty using Art & Science – an interview with Photographer, Jerry Mudge.

Finding beauty using Art & Science – an interview with Photographer, Jerry Mudge.

Part Artist, part Scientist, Jerry Mudge says beauty can be found everywhere, and he’s got the photos to prove it.

His photographs first caught my eye when I wandered into local art gallery, Avenue West. A brightly colored photo of something I couldn’t identify, something glossy and oddly geometric despite the randomness of shapes and colors, drew me across the space. I’d never seen anything quite like it, and I wanted to know more about the artist. Lucky for me, when I inquired at the register, the person manning the station was Jerry himself. He showed me more of his photos, explained a bit of how he captured the images – using skills that ranged from traditional to experimental – and I was hooked. 

Keep reading to learn more about the creative photography of Jerry Mudge.

SnS: Hello Jerry, thanks for interviewing with me. I’ve admired your work for a while. Now I’d like to learn more about you, the artist. Please tell us (my readers and I) where you are from.

Jerry: Glad to be here, and that you like my work. I was born and raised in Coeur d’Alene, Idaho. My family homesteaded the Wolf Lodge area, just east of CDA, so my roots are dep in the area. I moved to the Spokane Valley about 14 years ago. I was getting ready to retire from Kaiser Aluminum, and Sandy (my wife) had a few years left to work in Spokane, so we purchased a home in Spokane Valley.

SnS: What did you do at the aluminum plant, and how long were you there?

Jerry: I was there for 31 years and I did everything from driving fork truck to making Safety videos and posters. We called them Impact posters because they were fairly graphic, but they got the message across. I retired as a Supervisor.

SnS: Wow, so even at an aluminum foundry you still got to be somewhat artistic?

Jerry: Somewhat, yes. We did all our own filming and editing. I got to use the company’s cameras and video equipment, and even got to drop an ingot onto a Jeep for one safety film. Of course when news of the ingot drop got out, everybody came to watch!

SnS: *LOL* I would too! So what got you interested in photography in the first place?

Jerry: In the early seventies, my uncle was getting into photography. I became interested after watching him and bought my first Minolta camera. We worked together on some black and white photos. You know, the kind. We’d take a profile picture of someone’s head then add gears and things to indicate the workings of their brains. We just played with it, and had fun. I went further with photography than he did, though, and as my interest grew, I soon set up my own dark room where I processed and printed my own color, and black and white photos.

As time passed and family became a priority, my love of photography was placed on the back burner but was always there.

SnS: So did you uncle train you in photography?

Jerry: I am 99% self-taught. The only real training I’ve had were a couple of 4 hour afternoons with a professional photographer. I already knew all the technical stuff, but he really helped my composition. 

SnS: How did you learn all the technical stuff?

Jerry: I learned most of it through experimentation and reading. A lot of reading. 

SnS: Is there a moment from your learning process that stands out to you, where something went terribly wrong, or incredibly right?

Jerry: When I first started using digital. When I bought my first digital camera it was like a foreign world to me, because instead of the dark room, you had to use the computer. I was computer literate, but not in the programs for photography. It took me a long time to figure that out. 

I’ve never really had anything go amazingly wrong, but I’ve had EUREKA moments with certain pictures like “Flowering Beauty” and “Fire & Ice”. 

SnS: Okay, well now I have to ask. What is that blue stuff in “Flowering Beauty”?

Jerry: *Smiling widely* Table cream and food coloring. The flower was submerged too. There was a lot of experimentation to get that shot.

SnS: That’s amazing!  So what’s “Fire & Ice” made out of? I haven’t been able to figure that one out.

Jerry: Ferrofluid. That’s a black, magnetic fluid that looks like oil. It’s one of the messiest things you’ll ever come across. You put a magnet next to it and it creates these forms. That’s the geeky part. I really like using science to base, and get cool photos from. You don’t see photos of this stuff very often, but I love it. 

SnS: You sound like a bit of a creative scientist, Jerry. I’m picturing your photography space full of beakers and Bunsen burners.

Jerry: Well, uh, no. But truth be told, there’s a card table in my basement. It’s all finished down there, so I have to put a big tarp down or I’d be in a lot of trouble if I messed up the carpet. 

SnS: *LOL* So how did you come up with the idea for those shots?

Jerry: Well, I saw the ferrofluid on a TED Talk. The flowers were my own idea.

SnS: Excellent! So do you use lots of different cameras for certain shots?

Jerry: I only use one camera, but I do use specialized lenses for different types of images (i.e. macro, landscape, etc.).

SnS: Do you enhance your photos on the computer?

Jerry: I’ve done a few, but for the most part, I don’t manipulate a lot. Generally, I may sharpen, increase contrast, or enhance color if needed. Occasionally I use HDR (High Dynamic Range) to capture fine detail and to lighten shadows. I try to keep HDR looking natural though, and not over processed.

SnS: So is photography your job or your hobby?

Jerry: It’s a hobby to me. I do it in my retirement. I enjoy pushing myself to learn new techniques and processes while capturing the beauty around us.

SnS: So if you could travel anywhere in time or space for your photography, where would you go?

Jerry: Although I am a sci-fi geek and also like to travel, I don’t need to go far to find amazing things to shoot with my lens. From the largest landscape to everyday things that we take for granted. For example, take a couple of forks from the kitchen, light them at an angle on white paper, and you can come up with great shots. A drop of water on a blade of grass, the colors in a soap bubble. Beauty is everywhere, you just have to look around and you’ll find it no matter where you are on the planet. 

SnS: Okay, so do you have a photographer you admire, or a favorite photo that inspires you?

Jerry: My favorite photograph is of an Afghan refugee girl taken by Steve McCurry and published on the cover of National Geographic magazine in June, 1985. The way the photographer has captured her intensity has always stuck with me.

SnS: That is a memorable photo. Beyond photography, do you have any other hobbies?

Jerry: I do woodworking. I create handmade boxes, bud vases, and candle holders. My wife upcycles furniture, so I get to help her with that too. 

When I retired, I got into remote controlled airplanes and I competed in large scale aerobatics all over the Western US & Canada. I flew really big stuff, with ten foot wing spans, and I built them all from scratch. When I got older and couldn’t see as well, I couldn’t compete as well against the younger folks, so I got out of that and got back into photography. That was around 2006 or 2007. 

SnS: What got you into woodworking?

Jerry: I just wanted to do it. I saw some band saw boxes, they interested me, so I went out and bought a band saw and started making them. I’ve always worked with my hands. I enjoy it, and I like to do things that are different. My band saw boxes aren’t shaped like normal boxes, they are all different and you can’t find things like them in regular stores.

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SnS: No you can’t. They are really neat! So how did you land here at Avenue West Gallery ?

Jerry: I did a brief stint in another gallery for a while, but wasn’t happy with how it was going. I took my items back and didn’t show for a year because I had to work up the guts. I didn’t think my work was good enough. Eventually I heard there were openings here, and I already knew someone who had their art here. I was nervous because this is a juried gallery, but here I am.

SnS: Yes you are, and that’s great! If you were to give advice or encouragement to other artists afraid to put their work out there, what would you say?

Jerry: Just do it. Just try to get through that fear because it’s very rewarding when somebody likes your work. Not everybody is going to like it, and you’ve got to be prepared for that, but it’s still very rewarding. Especially when you sell something. It’s just like, HEY look at that! 

Also, one thing is that I strive to be a little different than anybody else. The thing to remember is that you might have a hundred artists all looking at the same thing (painting or photographing it), but every one of their interpretations is going to look different, and be unique. That makes it worthwhile. 

SnS: Good advice. Thank you, Jerry. Now where can our readers find and enjoy your incredible works?

Jerry: I currently have photos on display and to purchase at Avenue West Gallery – 907 W. Boone Ave. in Spokane, WA. I also have photos to view on 500px  My photos are available in many sizes and mediums; canvas, metal, paper, etc. and I may be contacted at JerryMphotography@comcast.net. 

 

 

Taking a gander at Scott Bassett & his  Wild Goose Gallery

Taking a gander at Scott Bassett & his Wild Goose Gallery

 

Running a business well is difficult and time consuming. Running an art gallery as well, at the same time, is an amazing feat of energy and ingenuity. That is exactly what Scott Bassett does every day as President of Pawsitively Bassett Inc., owner of Bassett & Brush Design, and the Wild Goose Fine Art Gallery.

As if that isn’t enough, he is also one of the galleries resident artists! He’s worked in many mediums, but is currently focused on photography. Panoramic photography (as seen above) is his most recent passion. With a quick sense of humor, kind smile, approachable manner, and three dogs (Mac, Khai, & Tonto) all sleeping under the table, Mr. Bassett was fun and easy to talk with.

Keep reading to learn more about Scott Bassett – Artist, Businessman, and all around nice guy.

SnS: Welcome to TheSquidandSquirrel! I’ve visited your gallery, the Wild Goose and enjoyed your photographs many times. Now I’d like to know more about you, the photographer. So please tell me & my readers, are you a lifelong Spokanite?

ScottB: No, I’m not native to Spokane. I was born in Chickasha, OK of all places. My folks were military and at one point my dad was stationed here, so I’ve been in Spokane since 1965. I consider myself an implanted native because this is home now.

Before that, we were pretty much like wanderers because, you know, in the military you don’t ever really have a home. Of course I met and married a Spokane girl (born and raised) Tammy, and she had a big influence on my staying here, but I love Spokane.

SnS: Well I’m glad you stuck around. So, have you always been creative, interested in art?

ScottB: Pretty much! I’ve got a logo I developed that has a picture of me painting, when I was six years old. My mom took the picture. It’s an old black and white and I use that in my Scott Bassett Studio logo.

My mom was very into the arts. She dabbled, and painted in oils and things like that. I was one of her artistic sons, the other was my younger brother, and she was good at letting us explore painting and drawing. I’ve pretty much drawn most of my life, until I got into graphics. Once I got into graphics I was more into design. I didn’t get to do a lot of drawing, and I kind of quit painting when the kids came along, ya know. Life just got too busy. I only did the occasional watercolor on the side.

SnS: Did you go to art school?

ScottB: I went to Spokane Falls Community College and at the time the Advertising and Graphic Design course included some art classes. I took Life Drawing and Watercolor, which I dearly love. I took Oils also, but the fumes got to be a little much. I tried Acrylics. That was a disaster. I’m primarily a pencil artist and watercolorist.

My wife, Tammy, likes to tell a story that she sold one of my paintings for two thousand dollars, one time. After earning degrees from SFCC, we moved to the Puget Sound area where I landed a job. We lived on the coast, in Mt. Vernon, and I’d done a watercolor of a moored fishing boat, and hung it in our home. The boat was named Amanda, just like our baby daughter. It was moored and had oil tankers in the distance behind, and was very misty looking.

Well, having decided to return home, I had gotten a job in Spokane and was living here while Tammy stayed behind to sell our house. One day this guy walks in. He looked around and says, “I’ll give you your asking price if you’ll leave that painting.” And Tammy says, “Done!”

The truth is, she’d been willing to come down a couple thousand on the price of the house, so she counted that as the price of the painting and likes to say, “I sold your painting for two thousand dollars.”

SnS:  *LOL* A logical and valid statement in my estimation. So pencil and watercolors were your mediums?

ScottB: They are my mediums, along with photography. And now wood working, and glass cutting, and kinda everything, but I’m an old guy. I’ve had lots of years to gather skills. Things fascinate me and I just get sucked in!

My art on the side was pretty sporadic since I got into designing. Until about three years ago, that is, when I became infatuated with photography.

SnS: Tell us about your photography.

ScottB: I’ve always had a camera and been interested in photography, and for the last 30 years I’ve worked as a product photographer for our clients. Shooting photos of “widgets”, or hair spray, or whatever. Package design was my company’s forte for a while and we handled clients like Nat Geo and Disney, creating packaging designs for them. Eventually though, packaging took it in the shorts. It started to shrink as an industry once downloadable software came out, but we saw that coming and trained ahead for web design.

What got me going in panoramic photos though is some property we own up in Pend Oreille, along the river. We leave the property mostly undeveloped because we like it that way, and I carry my camera every time we go up there. I just sit there and shoot stuff like a mad man.

Panoramic images really fascinate me, so I started shooting panoramic, which is multiple shots that you then recombine to create one image. You have to do that because digital cameras don’t have the dynamic range of the old analogue cameras that used film. Film is amazing, I mean it really is! But it’s also very demanding, and you’ve got to really know your stuff. The digital cameras are limited though, so you have to do multiple exposures to get your shadow detail, and your high light detail, and mid-tones. So you you have to work with a tripod and shoot one section of your panoramic, then you move your camera to shoot another bracket of images. Then you move it again and shoot another bracket, until you have the whole scene as you’ve envisioned it. Then you go in Photoshop and put it all back together. It’s kind of time consuming to do it well, and get the color balance correct and all the images seamlessly matched. It just drives me nuts, but I love it! So when I get done, I go ‘All right, it worked!’ Then I print it out and do the happy dance.

SnS: Do you remember shooting your first panoramic photo?

ScottB: Yes. There’s a big grassy field, full of birch, aspen, and pine up near our property in Pend Oreille. There’s even a little mountain peeking up from behind the trees, and every time we’d drive by it Tammy would say, “Oh I just love this field. It’s just perfect.” Well, we’d gone up to the property in autumn, and the leaves had all turned yellow and Tammy just went nuts over it. So I thought, ‘AH HA, Christmas present!’

I drove up four days later to take the photos and all the leaves had fallen. Oh geeze I cursed, but I figured I was up there so I took the photos anyway and it turned out to be a really cool shot, because all you got were these white birch and aspen that created a picket fence thing across the far end of the field. So that was my first real panoramic.

SnS: So what made you decide to start drawing on your mats?

Well, everyone raved about my panoramics and told me to do more, but Tammy said, “Well honey, they’re great but they’re just photos. You draw so well, why don’t you draw?”

So that got me thinking, and I started doing pencil drawings to print on the mat boards.  I do the drawing by hand and try to pick a subject that relates to the subject of the photograph. For Tammy’s field, I took reference photos of the fence post I’d leaned on, then did the drawing in pencil and put that on the mat board surrounding the photo.

SnS: What a great idea! And framing? How did that happen?

ScottB: So, I’m thinking I was being really cool with the mats, really top notch, but a friend of mine named Bob Brown, who’s a real wizard in the wood shop said, “You really should be making your own moulding.” Bob is my woodcraft mentor and taught me fine wood crafting. You can see, I’m easily influenced.

After that, my hand crafted fine art prints took on a life of their own. Now I build my own hardwood mouldings and frames, hand mount and lacquer my photographic prints, cut my own glass and mats, and finish them with a dust jacket on the back. The whole nine yards. Then each is signed and numbered with an artists certificate. I’m a bit OCD about it, but that’s what I pour my passion into.

SnS: That passion is obvious. Your work is beautiful. What made you open the Wild Goose Fine Art Gallery? I mean, you’re a busy guy running a successful business and all.

ScottB: I was running out of room in the house! I did some art shows. We got the tent, grid panels, all that, and I did three or four shows one summer and thought, good grief, this is gonna kill me. I’m too old for this crap. So I started looking to get into galleries. I got into one in Priest River, ID and sold a number of pieces there, but I just couldn’t find the time to approach galleries. Plus many of them were backlogged with lists of artists waiting to show there anyway.

So, Tammy said, “Well honey, you’ve got that building down there. You could just squish Bassett & Brush into one half of it and open up a gallery in the other half.”

She always comes up with brilliant ideas, and I always take them and go overboard. So on October 1st of last year we began to clean this place out. By the end of six weeks, we’d emptied it, painted it, and fixed some things. On November 1st I called my friend T. Kurtz, who is an amazing pastel artist, and said, “Help I have a naked gallery!” Then I asked her if she’d like to come hang with us, and she said yes. So I said, “If you know any other artists that you are comfortable with, as far as the quality of their work, could you bring them?” We ended up having 14 artists from around the region displaying here when we opened, and the place was packed with stuff.

I’m amazed at the quality of the artists that have come. In addition to T. Kurtz we have work by Shannon Potratz, our other resident artist here at the Wild Goose Gallery. There’s  Gabe Gable – a nationally renowned bronze artist, Elizabeth Billups’ beautiful oils and prints, amazing watercolors by David Gressard, quilt art by Tammy Bassett,  fine wood craft by Bob Brown, and the list goes on and on.

SnS: That’s quite the group. How many artists do you usually have displaying in your gallery?

ScottB: We usually have 12 to 14 artists. That’s about how many walls we have. 😉

We try to keep an artists work all together, so when you’re looking at a wall it’s all Betty Phillips, or this is all of Shannon Potratz.  **Remember that name from a previous interview? If not, check it out here.**

SnS: You said that Tammy, your wife has some of her quilt works here also, right?

ScottB: Yes, she’s very talented, in many ways. She teaches Preschool, draws – even though she says she can’t – plays the piano, and quilts. She’s been quilting for about 15 years, and she’s made some beautiful things! 

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Quilted candle holder by Tammy Bassett

SnS: I’ve seen some of her work. It is beautiful! I admire anyone who can use needle and thread. If I tried to someone might lose an eye! *LOL* What artists did you admire growing up?

ScottB: I admired Mark English. He’s an illustrator in New York. I loved his work. Initially, I wanted to be an illustrator for books and magazines. That was kind of where my heart was. I also loved animation and thought I wanted to work for Disney. That was back in the cell days, ya know. I decided I didn’t really want to work for Disney because I’d have to live in California and that just wasn’t for me. So I gave up on that idea.

Andrew Wyeth was another one of my favorites. I love his work. And Maxfield Parrish, he’s almost an Art Deco illustrator of books and magazines. If you look up his work you’ll probably say, “Oh I’ve seen that guy!”  Those are the ones I thoroughly enjoyed. I never understood Picasso. I just do not get him. I like Modigliani because he did such weird distorted stuff. In my odd moments I liked to play with that sort of thing. 

SnS: Scott, you are such a busy guy! What do you do to relax? Do you relax?

ScottB: I usually take naps. Actually to relax, I go up to the river property. Tam and I go up every chance we get. It’s close enough that we can get there pretty fast, and once there it all melts away. 

I love being up there. We’ve left the property mostly undeveloped and we like it that way. We walk up and down, watch the snakes in the grass, the geese on the river, the cormorants on the pilings. It’s where we decompress.

We’ve enjoyed the inside passage cruise to Alaska too. It’s just beautiful! And because it’s inside passage, you don’t have all that wave action. I don’t do well with that. 

We also used to do a lot of ball room dancing: fox trot, jive, and cha cha. Those are probably our favorites. I can’t do tango. I get serious and Tammy starts laughing.

SnS: Ballroom dancing. What got you into that?

ScottB: My folks got us into it. They were very big in the Round Dancing movement and taught for many years. Round dancing is a spin-off of Square Dancing. It’s Ball Room, but cued. Pre-choreographed to a certain piece of music, a caller will cue you through the maneuvers. My mom could cue a dance from the floor while she and dad were dancing. She was an amazing lady. 

So we started dancing with them, and when they got older and to the point of not being able to cue and dance, Tammy and I started demoing dances for them. So basically we were Junior Associate Dance Teachers, and we did that for about 15 years. It was great fun. 

So for us, fun is going on a cruise and dancing!

SnS: Well that segues nicely to my odd ball question. . . If you could travel anywhere, with anyone (living or dead) where would you go and who would you take?

ScottB: I’d take Tammy. No question. She’s my best friend ever. We met in high school and have been married for 46 years, going on 90 😉 

We would pack up a trailer of some kind and start going around the U.S.  We’d stop someplace and explore, move again and explore, just go see the U.S. I have no desire to go overseas. We’re happy here. I mean, why go there when we haven’t even explored everything at home yet?

SnS: Understandable. Did you do anything fun over the holidays?

ScottB: I played Santa Clause for about 100 families at Tammy’s preschool. She runs the North Side Learning Center.

SnS: **Looking at his closely clipped beard and lack of moustache** So did you grow that out for the event?

ScottB: No, I used a false beard. In fact the reason I don’t have a moustache is because it’s a little bristly and Tammy won’t kiss me when I have one. So either don’t do the moustache, or don’t get kissed, and smooches are kind of important. 

SnS: That they are. So what’s happening at the gallery this month?

ScottB: Right now we’ve got Robert Walton’s work in. He does what I call Romantic Western. It’s like, if you could sit and make up a picture of something western, then just embellish it so it’s just so cool and charming, that’s Robert. That’s what he does. He does some really cool stuff! Things like Christmas steam trains traveling through snowy river gorges. He also has work licensed by Leaning Tree Publications, which is where most people have seen his exceptional artistry. Robert is very talented. 

SnS: As are you, sir. And your wife, and apparently most of the people around you. Thanks so much for interviewing with TheSquidandSquirrel.

If you would like to visit Scott Bassett’s gallery – The Wild Goose – it’s at 3919 N. Monroe St. in Spokane, WA. Open 8:30 – 5:00 pm Monday through Friday, and Saturday by appointment – phone 509-327-9078.  Please also visit their page on Facebook

 

Coming soon – as promised!

Coming soon – as promised!

Hello gentle readers! Shortly before Christmas I promised an interview with artist / gallery owner Scott Bassett, but as you know, it just didn’t happen. What did happen? The holidays! **Insert ominous da da dummmm music here**

So, holidays over, let’s try this again.

Coming tomorrow – an interview with SCOTT BASSETT !!